Pesquisando por: "HUGO ERFURTH" - Fotoarena - Agência de fotojornalismo

alb5151034 Hugo Erfurth, Paul Klee, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 38.4 cm; width: 27.6 cm, dry stamp, HUGO ERFURTH, DRESDEN 1928, GDL, o. in lead: K 59 Atelier, No. 1 Portrait of Paul Klee Hugo Erfurth Dresden; o. in blue colored pencil: 602e [crossed out in lead]; lower right in lead: 26 label: cardboard: top left in typewriter: Hugo Erfurth, Paul Klee; lower right in typescript: HUGO ERFURTH (1874-1948): PORTRÄT PAUL KLEE, oil print, inv. no. 256, inscribed: cardboard and: in lead: oil print; cabinet 14/15, upper drawer, stamp: cardboard and right: inventory stamp of the Staatliche Landesbildstelle, handwritten in lead supplemented: 256, inscribed: Passepartout o. left in lead: 220; right in lead: 233, portrait photography, portrait, historical person, artist, painting, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernis.

alb5151560 Hugo Erfurth, Ludwig Mies van der Rohe, paper, oil print, image size: height: 38,4 cm; width: 27,6 cm, label: cardboard verso: top left in typescript: Hugo Erfurth added by hand in lead: Mies v. d. Rohe; lower right in typescript: HUGO ERFURTH (1874-1948): PORTRAIT MIES VAN DER ROHE, oil print, Inv. No. 263 A, inscribed: cardboard and: in lead: oil print; cabinet 14/15, upper drawer, stamp: cardboard and right: inventory stamp of the Staatliche Landesbildstelle, handwritten in lead supplemented: 263 A, inscribed: Passepartout o.: left in lead: 220; right in lead: 233, portrait photography, portrait, portrait, architect, portrait, self-portrait of an artist, portrait, en face, Maria Ludwig Michael Mies, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art.

alb5147139 Hugo Erfurth, Hugo Erfurth, formerly J. S. Schröder, Dresden-Johannstadt, Reissigerstrasse 46, cardboard, intaglio printing, image size: height: 16.2 cm; width: 9.7 cm, in lead: repro no, inscribed: in lead: repro no, Stamp: cardboard o. r.: handwritten in lead: 311, inscribed: in lead: repro no, layout and typography, letters, alphabet, typeface, coin, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Constance. (Ca.

alb5145529 Hugo Erfurth, Hilde-Marie, silver gelatin paper, black and white positive process, image size: height: 16,2 cm; width: 9,7 cm, signed and dated, exposed: Hilde-Marie 1898, inscribed: recto: exposed at lower margin: HUGO ERFURTH, pre. J. S. Schröder, DRESDEN, Reissigerstr. 46, in lead: repro no, inscribed: cardboard: repro no, Stamp: cardboard o. r.: handwritten in lead added: 311, portrait photography, girl, portrait, half-length portrait, At the beginning of the 20th century Hugo Erfurth is one of the most famous professional photographers in Germany, next to Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed i.

alb5141783 Hugo Erfurth, Dominikus Böhm, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size: height: 60.5 cm; width: 46 cm, inscribed: verso o. in the middle: in lead: Dominikus Böhm, stamp: verso in the middle: printed emblem of the GDL [Gesellschaft Deutscher Lichtbildner], label: passepartout verso o. l.: in typescript: Hugo Erfurth, Dominikus Böhm, handwritten with black felt-tip pen: 1938; Hugo Erfurth, Dresden/Cologne, Dominikus Böhm, 1938, stamp: passepartout verso top left: top left: stamp of the Staatliche Landesbildstelle Hamburg, and in the middle handwritten with ballpoint pen: 258, portrait photography, portrait, architect, book, bust, en face, beard, Dominikus Böhm, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality o.

alb5143599 Hugo Erfurth, double portrait in the landscape, paper, oil print, image size: height: 14,8 cm; width: 20,2 cm, signed: recto u. re. in lead: Hugo Erfurth 1912, inscribed: verso in the middle: in lead: oil, stamp: verso and left: inscribed: inside right passepartoutside: in lead and in the middle: Hugo Erfurth, 1912, ('Oel') s. backside!, Kh 1981, lower right in lead: cat. No. 419, inscribed: verso passe-partout cardboard and left: in lead: 7, portrait photography, double portrait, mother, daughter, meadow, pasture, artist and his family, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne.

alb5148744 Hugo Erfurth, Thuringian peasants, paper, platinum printing, image size: height: 11.2 cm; width: 15.7 cm, inscribed and dated: Cardboard recto above and below the print: in brown ink: 93, H. Erfurth, Dresden, inscribed: cardboard verso: lower left in dark brown ink: Box 9 Thuringian Peasants; lower left with black felt-tip pen: Hugo Erfurth, Dresden, repro no, inscribed: cardboard back side: lower left in dark brown ink: Box 9 Thuringian peasants; lower left with black felt-tip pen: Hugo Erfurth, Dresden, repro no, stamp: cardboard back side and right: handwritten with ballpoint pen added: 311, stamp: cardboard back side: and in the middle, ; lower right: handwritten in blue ink supplemented: box 29/11; at the bottom: location of the Staatliche Landesbildstelle Hamburg, handwritten in lead supplemented: 26, 30, portrait photography, group portrait, folk costume, regional costume, inn, coffee house, pub, rural life, At the beginning of the 20th century, the state of Hamburg was the only state to have an inventory stamp. Century ranks Hugo Erfurth beside Rudolph Dührkoop and Nicola Perscheid among the most well-known occupation photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the fa.

alb5145199 Hugo Erfurth, Otto Dix, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size: height: 39,5 cm; width: 30,8 cm, stamp: verso o. r.: HUGO ERFURTH, DRESDEN, ZINZENDORFSTR. 11, handwritten in lead added: Köln, Domkloster 1, o. in the middle in lead: 20 high; upper right in lead: Otto Dix; 1930 (according to P. Oehmen); in the middle in lead: please improve retouching! [with sketched areas]; in the center in red colored pencil: 16; lower right in lead: 822, inscribed: Passepartout verso and left: in lead: Repro-No, Portrait Photography, Portrait, Artist, Portrait, Self-portrait of an artist, Portrait, Self-portrait of a painter, Head, Face, Headshot, En face (frontal view), Otto Dix, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materia.

alb5148500 Hugo Erfurth, portrait study in the studio, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, gum print, image size: height: 40,3 cm; width: 26,5 cm, monogrammed and dated: recto and right: HE [ligated] 7 08, portrait photography, portrait, woman, dress, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Constance. (Cathrin Hauswald).

alb5150821 Hugo Erfurth, Max Sauerlandt, silver gelatin paper, black and white positive process, image size: height: 29.3 cm; width: 23.7 cm, inscribed: verso and: in lead: 38760, stamp: verso and in the middle: copyright stamp of the Staatliche Landesbildstelle Hamburg probably used to mark press photos, portrait photography, portrait, man, humanities, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Constance. (Cathrin Hausw.

alb5150219 Hugo Erfurth, Felix Timmermans, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, image size: height: 23,5 cm; width: 17,5 cm, dry stamp: recto u. left: HUGO ERFURTH [ not legible], label: Passepartout recto and in the middle: in typescript on Japanese paper: Hugo Erfurth, 'Felix Timmermanns', label: Passepartout verso and in the middle: in typescript: HUGO ERFURTH, Portrait Photography of Felix Timmermann, Shown in: 'Literaturtrubel um 1900' 'So they looked ', portrait photography, portrait, writer, poet, author, elbow, tobacco pipe, portrait, self-portrait of an artist, portrait, self-portrait of a painter, Felix Timmermans, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places th.

alb5150945 Hugo Erfurth, Franz Blei, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 22,6 cm; width: 16,4 cm, signed and dated, in lead: Hugo Erfurth 1914, inscribed: verso yellow cardboard: in lead: LBH, stamp: verso yellow cardboard u. right: handwritten with ballpoint pen added: 311, inscribed: on verso light cardboard and left: with black felt-tip pen: Hugo Erfurth 1914, No. 311 oil print; in lead next to it: Franz Lead? inscribed: recto passepartout cardboard and: in lead: Hugo Erfurth, Franz Blei 1914, Bromoil print, portrait photography, man, cigarette, portrait, historical person, writer, poet, author, arm positions, gestures, eyeglasses, glasses, half-figure portrait, Franz Blei, At the beginning of the 20th century Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at t.

alb5150017 Hugo Erfurth, Felix Timmermans, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, image size: height: 23.3 cm; width: 17.9 cm, label: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, 'Felix Timmermanns[sic!]', label: Passepartout verso and in the middle: in typescript: HUGO ERFURTH, Portrait Photography of Felix Timmermann, Shown in: 'Literaturtrubel um 1900' 'So they looked like that', portrait photography, portrait, writer, poet, author, seated figure, Felix Timmermans, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (19.

alb5150192 Hugo Erfurth, double portrait of mother and son, paper, pigment print, image size: height: 26,5 cm; width: 19 cm, signed and dated, in lead: Hugo Erfurth 1911, inscribed cardboard recto below the print: 11, inscribed: Karton verso u. li.: in ink: Hugo Erfurth, 1911, label: Karton verso u. in the middle: in typescript Hugo Erfurth, Dresden/Cologne, double portrait of mother and son, brown pigment print, 1911, stamp: cardboard on verso and in the middle, ; lower right: Inventa stamp of the Staatliche Landesbildstelle Hamburg, handwritten in blue ink: Box 29/11; lower margin: location of the Staatliche Landesbildstelle Hamburg, handwritten in lead: 26, 30, portrait photography, portrait, mother, son, double portrait, full-length portrait, artist and his family, At the beginning of the 20th century, the artist's name was on the back of the box. At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, wh.

alb5145391 Hugo Erfurth, Paul Wiecke as Hamlet, silver gelatin paper, black and white positive process, image size: height: 22.8 cm; width: 14.7 cm, signed, exposed: HUGO ERFURTH, DRESDEN, photographed, inscribed: recto: top right, exposed: PAUL WIECKE, KGL. AXIS. HOFSCHAUSPIELER, ALS HAMLET; exposed lower left: 1600, in lead: repro no, inscribed: cardboard: repro no, Stamp: cardboard o. r.: handwritten in lead added: 311, portrait photography, portrait, man, actor, actress, At the beginning of the 20th century Hugo Erfurth is one of the most famous professional photographers in Germany, next to Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and.

alb5141702 Hugo Erfurth, Tino Pattiera, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, size of image: height: 22,3 cm; width: 16 cm, dry stamp, HUGO ERFURTH, DRESDEN 1920, label: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, 'Tino Pattiera as Rhadames', handwritten in lead: gelatin silver, portrait photography, portrait, opera singer, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne stu.

alb5141532 Hugo Erfurth, Otto Dix, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 29.6 cm; width: 22.7 cm, signed and inscribed, eingeritzt: Hugo Erfurth, Cologne, inscribed: Passepartout verso: upper left in lead: 38, lower right in lead: Repro-Nr, portrait photography, portrait, artist, painting, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were d.

alb5142283 Hugo Erfurth, Walter Tiemann, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, bromoil print, image size: height: 28,7 cm; width: 22,3 cm, signed and dated: recto: engraved in the print: Hugo Erfurth 1912, inscribed: Karton verso: in the middle in lead: LBH; u.: Repro-No, stamp: 1st carton verso and right: handwritten with ballpoint pen added: 311, inscribed: 2nd carton verso and left: in lead: Hugo Erfurth 1912, No. 311 Oeldruck Walter Tiemann (1876-1951), inscribed: inside right passepartoutside and : in lead: Hugo Erfurth bromoil print 1918, portrait photography, artist, portrait, half-length portrait, portrait, self-portrait of an artist, portrait, self-portrait of a painter, Walter Tiemann, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time p.

alb5144891 Hugo Erfurth, Paul Horst-Schulze, paper, oil print, picture size: height: 19,8 cm; width: 26 cm, stamp: verso and right: HUGO ERFURTH, KÖLN, DOMKLOSTER, GOLDSCHMIDTHAUS2, top right in lead: Horst-Schulze, Leipz. Academy; lower left in lead: c. 1917, (according to Oehmen); upper left in black crayon: 110, label: verso lower right: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE, label damaged in half], upper right in lead: 1924, (according to B. Lohse); upper middle in lead: No. 1 Herbert Eulenberg; in the middle in blue colored pencil: 109-1; lower left: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE A[ left with red colored pencil: 125/1, portrait photography, portrait, self-portrait of an artist, portrait, artist, painting, portrait, self-portrait of a painter, specific poses, gestures, facial expressions, Paul Horst-Schulze, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, where.

alb5141819 Hugo Erfurth, Elsa Wiesenthal, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, pigment print, image size: height: 22,6 cm; width: 16,4 cm, signed, in lead: Hugo Erfurth, inscribed: verso u. li. in ink: Hugo Erfurth, stamp: verso and right: handwritten with ballpoint pen: B 218 2, inscribed: inside left passepartoutside and left: in lead: No. B 2182, Wiesenthal, label: verso passepartoutside cardboard: in typewriter font: No. B 2018/2, Hugo Erfurth, Wiesenthal, inscribed: verso passe-partout cardboard: with black felt-tip pen: measurements, stamp: verso passe-partout cardboard: inventory stamp of the State Picture Gallery Hamburg, handwritten in ink: B 218 2, portrait photography, dancer, full-length portrait, movement, dancing, dress, Elsa Wiesenthal, At the beginning of the 20th century, the artist was a member of the Staatliche Landesbildstelle Hamburg (State Picture Gallery Hamburg) At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background.

alb5144792 Hugo Erfurth, Herbert Eulenberg, paper, oil print, image size: height: 28,7 cm; width: 22,4 cm, signed: recto and left: carved: Hugo Erfurth Dresden, stamp: verso o. in the middle: HUGO ERFURTH, KÖLN, DOMKLOSTER 1, GOLDSCHMIDTHAUS, HUGO ERFURTH, DRESDEN, ZINZENDORFSTR 11 [crossed out in lead], label: verso lower right: picture with text framing: 19 WIEN, PHOTOGRAPHIC A[, not legible, label damaged in half], upper right in lead: 1924, (according to B. Lohse); upper center in lead: No. 1 Herbert Eulenberg; center with blue colored pencil: 109-1; lower left: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE A[ left with red colored pencil: 125/1, portrait photography, writer, poet, author, portrait, half-length portrait, eyeglasses, glasses, writing by hand, writing as an activity, scholar, philosopher, Herbert Eulenberg, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique o.

alb5144626 Hugo Erfurth, Max Feldbauer, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size: height: 67.7 cm; width: 56.5 cm, label: cardboard verso top left: in typescript: Hugo Erfurth /Max Feldbauer, handwritten with black felt-tip pen, supplemented: c. 1920; Hugo Erfurth, Dresden/Cologne, Max Feldbauer, c. 1920, stamp: cardboard verso and center: handwritten in lead supplemented: cabinet 14/15, upper drawer, portrait photography, portrait, artist, painting, horse, book, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dre.

alb5144543 Hugo Erfurth, self-portrait, paper, oil print, image size: height: 22,6 cm; width: 27,3 cm, signed and inscribed: recto o. l.: in lead: Hugo Erfurth, Dresden 1910, inscribed: brown cardboard, Hugo Erfurth, Dresden, stamp: brown cardboard verso in the middle: inscribed: light-colored cardboard verso below left: with black felt-tip pen: Hugo Erfurth, Dresden, No. 311, label: left inside of passepartouts o. in the middle: in typescript: 413 Hugo Erfurth, Germany (1874-1948), self-portrait, oil print, 1910, portrait photography, portrait, artist, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Colog.

alb5144679 Hugo Erfurth, Büxenstein & Company, Gotthard Kühl, paper, heliogravure, image size: height: 17,3 cm; width: 12,2 cm, signed and dated: recto o. r.: exposed: Hugo Erfurth 1910, inscribed: recto at the lower platemark: in engraved typescript, lower right: Georg Büxenstein & Comp, Berlin hel, Photogr. Mitteilungen, 1910; lower left: HUGO ERFURTH, DRESDEN, inscribed: recto lower right: in lead: 12, upper right in lead: portrait of Gotthard Kühl, (photogravure after rubber, print), old inv. Nos.; and in the middle with black ink: repro: 38988, stamp: verso below: cabinet and box stamp, handwritten in lead: 26, 30; Landesbildstelle Hamburg, handwritten with blue ink: box 29/12, portrait photography, old man, accessories, accessories of clothing, At the beginning of the 20th century, the collection was inscribed: 26, 30; inscribed: top right in lead: 12, inscribed: o. r. in lead: 12, inscribed: o. r. in lead: 12, inscribed: 12. Along with Rudolph Dührkoop and Nicola Perscheid, Hugo Erfurth is one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach correspo.

alb5149852 Hugo Erfurth, letter of Hugo Erfurth to Walter Tiemann, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, paper, ink, sheet size: height: 10,3 cm; width: 14,7 cm, label: Passepartout recto u. in the middle: in machine type on Japan paper: letter from Hugo Erfurth, written material, autographs, letters, alphabet, typeface, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Const.

alb5151566 Hugo Erfurth, Mädchen unterm Rosenbäumchen, paper, oil print, dimensions: height: 20.5 cm; width: 14.8 cm, monogrammed and dated: recto and left. in black ink: HE [ligated], DRESDEN, 1914, inscribed: recto Karton unterhalb des Prints: in lead: Juhl Collection; Hugo Erfurth, Dresden, 1904, label: verso cardboard and in the middle: Hugo Erfurth, Mädchen unter dem Rosenbäumchen, oil print, 1904, handwritten in lead supplemented: Helene Erfurth, stamp: verso cardboard u. r.: inventory stamp of the Staatlichen Landesbildstelle Hamburg, handwritten with blue ballpoint pen supplemented: 311, inscribed: inside right passepartoutside u. r.: in lead: Erfurth, cat. No. 406, portrait photography, woman, dress, rose, potted plants, half profile (three-quarter view), artist and his family, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and.

alb5151205 Hugo Erfurth, Käthe Kollwitz, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, paper, oil print, image size: height: 29,5 cm; width: 21,2 cm, signed and inscribed: recto u. re.: eingeritzt: Hugo Erfurth, Cologne, Label: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, 'Käthe Kollwitz', Portrait photography, portrait, artist, woman, portrait, self-portrait of an artist, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive.

alb5151294 Hugo Erfurth, Mrs. Hettner, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatine paper, black and white positive process, image size: height: 30,5 cm; width: 23,2 cm, signed: recto o. right: in lead: Hugo Erfurth, inscribed: verso at lower margin: in lead: Hettner, inscribed: inside left passepartout side below left: in lead: No. B 218/6, Hettner, label: verso passepartout above left: in typescript No. B218/6, Hugo Erfurth, Hettner, Stamp: verso Passepartout o. l.: added by hand in blue ink: B218/6, Portrait photography, woman, portrait, bust, three-quarter view, necklace, Jeanne Thibert, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deuts.

alb5151602 Hugo Erfurth, Wilhelm Steinhausen, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 39,6 cm; width: 29,4 cm, inscribed: verso o. in the middle: in lead: Steinhausen, label: left inner side of the passepartouts and in the center: typewritten: 405 Hugo Erfurth, Germany (1874-1948), Wilhelm Steinhausen, oil print, 1902 or 1910, inscribed: inside right of passepartouts: top left in lead: hugo erfurth, steinhausen, 1902 or 1910 (according to oehmen); lower right in lead: cat. No. 405, portrait photography, portrait, artist, portrait, self-portrait of an artist, hat, portrait, self-portrait of a painter, Wilhelm Steinhausen, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic.

alb5151605 Hugo Erfurth, Thuringian farmers bowling mutton, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 20.6 cm; width: 29.4 cm, upper right with brown colored pencil: Thüringer Volkstypen, 'Das Hammelkegeln'; lower right in lead: 1894, stamps: verso and right, ; HUGO ERFURTH, COLOGNE, DOMKLOSTER 1, GOLDSCHMIDTHAUS, portrait photography, reporting photography, group portrait, farmers, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were.

alb5151591 Hugo Erfurth, portrait study in the landscape (Annemarie Erfurth), paper, gum print, image size: height: 26,3 cm; width: 21,6 cm, signed: recto u. li.: in lead: Hugo Erfurth 1912, inscribed: verso u. li. : in lead: E, next to it in purple colored pencil gum print, portrait photography, portrait, girl, meadow, pasture, flowers, half profile (three-quarter view), folk costume, regional costume, artist and his family, At the beginning of the 20th century Hugo Erfurth is, next to Rudolph Dührkoop and Nicola Perscheid, one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, E.

alb5151413 Hugo Erfurth, Theodor Däubler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 25.4 cm; width: 19.8 cm, upper left in lead: Däubler, upper right: 88; lower left: beginning of d. 20's, (according to P. Oehmen), portrait photography, writer, poet, author, portrait, half-length portrait, arm positions, gestures, book, eyeglasses, glasses, Theodor Däubler, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection.

alb5151460 Hugo Erfurth, Max Sauerlandt, silver gelatin paper, black and white positive process, image size: height: 29.3 cm; width: 23.7 cm, in lead: repro; 559, 14, stamp: verso and in the middle: copyright stamp of the Staatliche Landesbildstelle Hamburg presumably to identify press photos, portrait photography, portrait, man, humanities, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Constance. (Cathrin Hauswald).

alb5151212 Hugo Erfurth, Two young monks, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, image size: height: 30.5 cm; width: 23.2 cm, inscribed: verso and left: in blue ink: Hugo Erfurth, stamp: verso and right: HEGE-PHOTO; and in the middle: added by hand in blue ink: B218/7, inscribed: inside left passepartout side below left: in lead: No. B 218/7, Hugo Erfurth, repro no, label: verso passepartout above left: in typescript: No. B218/7, Hugo Erfurth, stamp: verso Passepartout o. l.: handwritten in blue ink added: B218/7, portrait photography, monk(s), portrait, double portrait, full-length portrait, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. E.

alb5151289 Hugo Erfurth, Hans Thoma, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 40,3 cm; width: 26,5 cm, signed and inscribed, eingeritzt: Hugo Erfurth, phot., Stamp: verso top left: Hugo Erfurth, Zinzendorfstrasse Nr. 11, Dresden, Fernspr. 15125 ; HUGO ERFURTH, COLOGNE, CATHEDRAL LOSTORS, GOLDSCHMIDTHAUS, inscribed: verso top: in lead: portrait of Hans Thoma; Hans Thoma; 1910 (lt. Oehmen), portrait photography, portrait, artist, portrait, self-portrait of an artist, portrait, self-portrait of a painter, arm positions, gestures, beard, Hans Thoma, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner.

alb5150103 Hugo Erfurth, Marya Delvard, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 22.8 cm; width: 16.8 cm, signed and inscribed, einbelichtet: Hugo Er[ hardly legible], label: Passepartout recto u. in the middle: in machine print on Japanese paper: H u g o E r f u r t h, 'Maria Delvard', portrait photography, portrait, woman, singer, actor, actress, standing figure, dress, stagecraft, full-length portrait, Marya Delvard, At the beginning of the 20th century, the artist was a member of the Hugo Er family. At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of th.

alb5149812 Hugo Erfurth, wife of Scheven-Poschinger, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, image size: height: 23,5 cm; width: 17,3 cm, label: Passepartout recto u. in the middle: in machine print on Japan paper: H u g o E r f u r t h, 'Damenbildnis', portrait photography, portrait, woman, dress, seated figure, full-length portrait, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the S.

alb5142890 Hugo Erfurth, costume study (Helene Erfurth at the piano), Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 13,9 cm; width: 19,1 cm, signed and dated, in white ink: Hugo Erfurth 1910, inscribed: verso on yellow cardboard: in lead: LBH, stamp: verso u. right on yellow cardboard: inventory stamp of the Staatliche Landesbildstelle Hamburg with, portrait photography, woman, dress, interior, piano, portrait, making music, artist and his family, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up.

alb5143370 Hugo Erfurth, Helene Erfurth, Sammlung Juhl, paper, heliogravure, picture size: height: 20.9 cm; width: 10.4 cm, inscribed: recto below the picture: in engraved typewriter font u. r.: Georg Büxenstein & Comp, Berlin hel, o. r. in lead: old inv. nos, label: verso u. r.: in typewriter font: HUGO ERFURTH, DRESDEN, portrait photography, woman, dress, hat, full-length portrait, artist and his family, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued h.

alb5148196 Hugo Erfurth, Heinrich Vogeler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, pigment print, image size: height: 22,8 cm; width: 15,7 cm, signed, in lead: Hugo Erfurth, inscribed: verso u. li.: in blue ink Hugo Erfurth, stamp: verso u. in the middle: added by hand in blue ink: B218/3, label: inside left passepartoutside: in printed type: 420 Hugo Erfurth, Germany (1874-1948), Heinrich Vogeler, Chamois color pigment print, approx. 1912, label: verso carpet pad top left: in typescript: 218/3, Hugo Erfurth; Hugo Erfurth, Heinrich Vogeler (1872-1942), pigment print, c. 1912, stamp: verso carpet pad top left : handwritten in blue ink added: B218/3, portrait photography, portrait, artist, work clothes, hat, standing figure, full-length portrait, portrait, self-portrait of an artist, portrait, self-portrait of a painter, Heinrich Vogeler, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portra.

alb5147332 Hugo Erfurth, portrait of a girl, paper, oil print, picture size: height: 21,5 cm; width: 16,4 cm, signed, in lead: Erfurth 1898, inscribed: verso o. right: in lead: 1898, 145 below, stamp: HUGO ERFURTH, KÖLN, DOMKLOSTER, GOLDSCHMIDTHAUS on verso and right, inscribed: verso Passepartout u. li.: in lead: 4, cat. No. 3 (Hugo Erfurth), portrait photography, portrait, young woman, girl, profile (side view), hairstyle fashion, hair fashion, woman, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were dest.

alb5147480 Hugo Erfurth, Marc and Bella Chagall, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, image size: height: 22,5 cm; width: 17,3 cm, label: Passepartout recto u. in the middle: in machine print on Japan paper: H u g o E r f u r t h, 'Marc Chagall und Gattin', portrait photography, double portrait, artist, woman, artist and his family, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the.

alb5149060 Hugo Erfurth, Portrait of a young woman, paper, platinum print, image size: height: 21,5 cm; width: 16,7 cm, signed and dated, in lead: Hugo Erfurth 1916, dry stamp: recto u. r. : HUGO ERFURTH, DRESDEN 1916, stamp: recto Japan paper: ERFURTH, DRESDEN, ZINZEN, DORF-, STRASSE 11, portrait photography, woman, dress, half-length portrait, portrait, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Constance. (Cathrin Haus.

alb5147937 Hugo Erfurth, Maria Carmi, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 21,2 cm; width: 15,5 cm, signed and dated: recto u. li.: in lead: Hugo Erfurth 1914, inscribed: verso on the cardboard: in lead: LBH, Erfurth, repro no, Stamp: verso and right on the cardboard: Landesbildstelle Hamburg, inscribed: verso and left on the passepartout: in lead: repro no, Measurements, Maria Carmi (1880-1957); with black felt-tip pen: Hugo Erfurth 1914, No. 311 oil print, stamp: verso passe and left: portrait photography, woman, fashion, clothing, full-length portrait, actor, actress, profile (side view), Maria Carmi, At the beginning of the 20th century, the artist's life was marked with a black felt-tip pen. At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of.

alb5146744 Hugo Erfurth, group picture of friends in the studio, paper, oil print, picture size: height: 16 cm; width: 21,4 cm, signed and dated, engraved in the print: Hugo Erfurth 1912, stamp: verso in the middle: in lead: G, portrait photography, group portrait, interior, artist, friends, portrait, self-portrait of an artist, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurth rescued himself in Gaienhofen on Lake Constance. (Cathrin Hauswald).

alb5147544 Hugo Erfurth, Heinrich Zille, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, paper, oil print, image size: height: 29,5 cm; width: 21,2 cm, signed and inscribed, eingeritzt: Hugo Erfurth, Cologne, label: Passepartout recto u. in the middle: in typescript on Japanese paper: H u g o E r f u r t h, 'Heinrich Zille', portrait photography, portrait, artist, drawing, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. After his Cologne studio and archive were destroyed in the Second World War, Erfurt.

alb5148010 Hugo Erfurth, Richard Dehmel, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, passepartout : height: 22.8 cm; width: 17.5 cm, inscribed: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, '''Richard Dehmel'', stamp: Passepartout verso and left: inscribed: Passepartout verso and: in lead: (around 1910), gelatin silver, repro no, portrait photography, portrait, wreath, garland, At the beginning of the 20th century, Hugo Erfurth, along with Rudolph Dührkoop and Nicola Perscheid, was one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he bui.

alb5146445 Hugo Erfurth, Alfred Flechtheim, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, dimensions: height: 21,4 cm; width: 17,3 cm, dry stamp, HUGO ERFURTH, KOELN GAIENHOFEN, label: Passepartout recto u. in the middle: in typescript on Japan paper: H u g o E r f u r t h, 'Alfred Flechtheim', portrait photography, portrait, profile (side view), art dealer, cigar, seated figure, Alfred Flechtheim, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s, where he builds up an art collection. Af.